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What is a deepfake

What is a deepfake?

A deepfake is typically a medium in which the face or body of a person is digitally altered to make them look like someone else. In deepfaked audio, the voice of a specific person is synthesised, https://olimpia.pe/blog/index.php?entryid=498 to produce an audio clip that appears to show them saying something they never actually said. All this stuff is powered by machine learning and artificial intelligence.

A 2019 study by Deeptrack Labs found 96 per cent of deepfake videos were pornographic https://celebporngifs.com/. However, since then, there has been an explosion of less obviously objectionable deepfake content shared on social media, as the tools used to create them are that much more readily available.

For instance, you may have stumbled upon Miles Fisher online. He posts deepfake videos of Tom Cruise doing silly things on TikTok. In these videos, you’ll hear Fisher’s own voice and see his real body, but the face pasted upon his is Cruise’s. It helps that he doesn’t look or sound a million miles removed from a younger Tom Cruise.

Why are deepfakes dangerous?

Deepfake tech is most dangerous when it is used to create pornographic content without people’s consent, or when it is used as a tool to spread misinformation or disinformation.

Even the most ostensibly harmless deepfake content presses some of the same buttons as the malicious stuff, nudging your brain to believe it’s real even if it is flagged as deepfake.

A deepfake video might show a political candidate saying something incendiary ahead of an election, www.videochatforum.ro in an attempt to hurt their chances of winning. It could be a public figure speaking out against a vaccine, despite never having done so.

In 2019, a video of a deepfake Boris Johnson endorsing Jeremy Corbyn circulated online. It was made by Future Advocacy, an artificial-intelligence think tank, in an effort to pressure MPs to address the spread of deepfakes online.

Tools have been developed, and are being developed, to attempt to keep up with the increase in quality of these deepfakes. However, thanks to the virality of some of this content, the damage may have been done by the time videos or audio clips are revealed as fakes.

What is deepfake porn?

In deepfake porn, the face of a celebrity or public figure is transplanted into a sex scene, effectively turning any piece of porn into the kind of “sex-tape” content that used to attract so much attention years ago.

Actresses Margot Robbie and Scarlett Johansson are among those who have been victims of deepfake pornography.

In 2010, Johansson spoke out about how useless it is trying to fight back against those who create deepfakes.

“I think it’s a useless pursuit, legally, mostly because the internet is a vast wormhole of darkness that eats itself. It’s a fruitless pursuit for me but a different situation than someone who loses a job over their image being used like that.”

She said: “The internet is just another place where sex sells and vulnerable people are preyed upon. And any low-level hacker can steal a password and steal an identity. It’s just a matter of time before any one person is targeted.”

Are deepfakes illegal?

Deepfakes in general are not illegal. They are part of a spectrum that runs from face-swap apps on your phone to a pornographic video of Boris Johnson proclaiming support for Russia, and banning “deepfakes” outright is unfeasible.

However, in November 2022, the UK Government announced plans to make pornographic deepfakes shared online illegal.

“Explicit images or videos which have been manipulated to look like someone without their consent,” will be criminalised in a planned amendment to the Online Safety Bill.

Other malicious uses of deepfake technology could be covered by existing laws surrounding fraud and defamation/libel. However, there is no blanket protection should someone create a deepfake of your likeness.

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The history of the underrated bond girl

The history of the underrated bond girl.

Caroline Cossey was decades ahead of her time. Whenever the question of the future of the James Bond franchise comes up, there is a split. Some people want it to embrace the modern era, with more representation and less of a focus on a white cis male gallivanting around the world, while others want it to maintain its traditional formulas.

Something both groups can probably agree on: the 1981 Bond movie For Your Eyes Only , starring Roger Moore as the gentleman spy, isn’t the best in the series. Even the most ardent fans place it somewhere in the middle of the oeuvre—it’s totally fine, but it’s not a lot of people’s favorites.

Something it does have, however? The first trans Bond girl.

The Bond series isn’t famed for its progressiveness when it comes to LGBTQ+ representation. In The Man With The Golden Gun , Bond creator Ian Fleming pushes the ridiculous theory that gay men can’t whistle. Diamonds Are Forever features a pair of gay henchmen, Goldfinger ’s Pussy Galore is a lesbian who is remarkably easily ‘turned’, and From Russia With Love features lesbian Rosa Klebb, whose name is apparently a pun on the Russian phrase for women’s rights, Fleming suggests that feminism was for humorless unattractive lesbians. No Time To Die , the most recent Bond film, has a brief moment in which Ben Whishaw’s Q is implied to be gay, so things have moved on slightly, but only slightly.

It seems safe to say that the producers of For Your Eyes Only didn’t know about the trans status of model/actress Caroline Cossey, but soon enough the whole world did.

Cossey was born with a rare variation of Klinefelter syndrome , a chromosomal disorder. Regular Klinefelter syndrome affects up to one in 500 live male births and involves an extra X chromosome, while the variation Cossey was born with affects one in 85,000 and involves two extra X chromosomes. Raised as a boy, Cossey knew from a young age that her body didn’t fit who she was. She enjoyed wearing her sister’s clothes and dreamed of being a Bond girl. 

She began hormone therapy at 17 and after top surgery, worked as a topless dancer in Paris and Rome. At 20, she had full sex https://gifsquirt.com/ reassignment surgery and changed her name officially to Caroline. She became a model, using the name Tula, and immediately found success thanks to her striking looks, appearing in Harper’s Bazaar and Vogue as well as on Page 3 of the tabloid The Sun . She partied a lot—including an alleged affair with British broadcasting icon Des Lynam—and then Bond came calling. 

Cossey doesn’t have a large role in the film—she is uncredited as one of several bikini-clad women at a pool belonging to the villainous assassin Hector Gonzales, essentially glamorous set-dressing to get across the sheer opulence of his life. She’s primarily seen climbing out of the pool and walking towards the camera. There’s nothing to the role beyond looking good and not wearing much.

For Your Eyes Only (1981) – Hector https://olimpia.pe/ Gonzales

However, for Cossey, this was just the beginning. Playboy ran a piece accompanying the movie featuring a shoot done the day that sequence was filmed, featuring a grinning Moore surrounded by bikini-clad models, his shirt unbuttoned. Cossey is the woman on the far left. She appeared in another image, topless, her arms covering her breasts, making her the first trans model—admittedly, one Playboy didn’t know was trans, later writing “she fooled us”—to pose for the magazine.

However, shortly after For Your Eyes Only came out, the tabloid News Of The World ran a  front-page story headlined “James Bond Girl Was A Boy”. Cossey was devastated. She considered taking her own life but decided instead to use her outing for good, beginning an eight-year campaign to change British law surrounding transgender people, a fight which took her to the European Court of Human Rights. Legally, her surgery was seen as a solely cosmetic procedure, https://digital.alinnco.edu.mx/blog/index.php?entryid=39691 no different from a nose job. 

The continued publicity surrounding her also brought work with it. She worked with the band The Power Station—a supergroup fronted by Robert Palmer and featuring members of Chic and Duran Duran—on their none-more-80s videos for Some Like It Hot and Get It On.

The Power Station – Some Like It Hot

Cossey won her case against the government and was legally recognized as a woman. Uncertain about her future, she trained in acupressure and entered into a relationship with a client, Elias Fattal. Fattal proposed without knowing Cossey’s full story—all he knew was that she couldn’t have children. She presented him with a copy of her autobiography—which had been published as Tula rather than the Caroline he knew—and he read it in front of her, only asking afterward if she was up for elearning.ims-schulungen.de converting to Judaism. 

However, on returning from their honeymoon in 1989, they found the News Of The World had run another story, headlined “Sex Change Page Three Girl Weds”, which ended the marriage—Fattal’s family were a lot less understanding than he had been. The UK government also successfully overturned the verdict of her case on appeal, meaning she became legally male again.

Cossey got back into modeling, and approached Playboy again, resulting in a nude shoot and accompanying lengthy interview in 1991—a fairly progressive move on Playboy ’s front, and relatively sensitively handled for the time. ” Playboy ’s readership is mostly male and heterosexual, so it allowed me to get out there and prove that people like myself can be sexy and attractive,” she later said . 

Despite the publicity leading to more acting work, and Cossey’s pride at being able to champion her cause on talk shows, she decided to retire from the limelight, moving to Atlanta with her second husband. Eventually, in 2004, the British Gender Recognition Act let her legally change her gender on her birth certificate and finally become who she always knew she was.

Whatever happens with the Bond franchise going forward, it’s quite something that one of their most progressive moves—inviting the viewer to ogle a trans woman just as freely as it invites them to ogle cis ones—was an accident.

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